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Finely tuned
Elvis Costello is back for an encore
By Patrick MacDonald, Seattle Times, Friday,
September 20, 2002
Elvis Costello's show at the Paramount on Sunday is being billed
as "an encore performance." He played the same place in
May, and if this weekend's show is as good, it's well worth seeing
again.
The bard of the British New Wave movement
of the 1970s was back in classic form at the May show, reviving
the verve, wit and brilliant wordplay that marked his rock-star
glory days.
Dressed in his usual black suit and owlish
glasses, he featured songs from his latest album, "When I Was
Cruel," which debuted at No. 20 on the Billboard 200 album
chart, making it, surprisingly, the highest-charted album in his
25-year career.
The new songs compared favorably to his
classics, such as "Watching the Detectives," "(I
Don't Want to Go to) Chelsea" and "Pump It Up." Among
the new songs were "Spooky Girlfriend," a darkly humorous
gem that mixed sex with the macabre, a Costello trait; "Tart,"
which smartly surveyed all the meanings of the word; "Alibi,"
which crackled with tension; "Dust," a serious yet funny
song about death; and "Petals," a powerful, moving love
song.
Elvis Costello & the Imposters
Costello was ably backed by the Imposters,
which included longtime collaborators Steve Nieve on keyboards (he
was excellent on organ) and Pete Thomas on drums.
They resurrected some obscure but outstanding
songs from Costello's classic albums, including a show-stopping
"I Hope You're Happy Now" from 1986's "Blood and
Chocolate" and an energetic reworking of "Waiting for
the End of the World" from 1977's "My Aim Is True."
Costello, who told interesting and funny
stories between songs, didn't seem to want to leave the stage. He
played for more than two hours, which included three encores.
Costello is playing lots of old songs
again because his entire catalog of recordings is being re-released
on digitally remastered, two-CD sets by the prestige reissue label
Rhino.
Prior to this tour's resurrection of the
classic Costello sound, he spent years recording and performing
a variety of non-rock projects, including collaborations with the
Brodsky String Quartet, classical mezzo-soprano Anne Sofie Von Otter,
Burt Bacharach, Tony Bennett and George Jones. His ballet score
for "A Midsummer Night's Dream" will be released next
year.
Sunday's show will be opened by Phantom
Planet, a new band known for the slow-building, dramatic hit "California,"
featuring talented lead singer Alex Greenwald.
The band is also notable for its celebrity
drummer, movie star Jason Schwartzman ("Rushmore," "Slackers").
Thanks to John Foyle
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