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Costello lives
up to the royalty of his namesake, Backyard, Texas 2002
By Jonathan P. Noble, Daily Texan, October 08, 2002
It wasn't until Elvis Costello began to
sing the chorus from Elvis Presley's "Suspicious Minds"
that I realized something special was happening. The reference came
during Costello's own classic "Allison" near the end of
his packed set at The Backyard on Sunday night. While the moment
itself was bizarrely surreal, it's what fans have come to expect
from the musical chameleon during his 25-year career.
Over the last decade, Costello has collaborated with songwriter
Burt Bacharach and experimented with classical music, jazz and soul.
Yet, Costello has returned to the biting lyrics and sharp melodies
of his earlier work on this year's When I Was Cruel and the resulting
world tour. While nobody would mistake the Elvis Costello at the
Backyard for the angry young man who penned the classic 1977 album
My Aim Is True, Costello and his backing band The Imposters actually
sounded more vitriolic than media-darling openers Phantom Planet.
Emerging from backstage to a bizarre yodeling
version of the William Tell Overture, Costello proceeded to rip
through classics like "Accidents Will Happen" and the
superb "Green Shirt." While his older tunes sparkled live,
it was actually new songs like "Spooky Girlfriend" and
"45" that most benefited from the live treatments of longtime
Costello keyboardist Steve Nieve. Costello introduced the Latin-influenced
"Spooky Girlfriend" as the tale of a deluded Svengali
who turns out to be just another show-business weasel.
After playing several standout tracks
from When I Was Cruel, Costello launched into "I Can't Stand
up for Falling Down" and "High Fidelity" from his
soul record Get Happy. Known for his erudite lyrics and biting wit,
even crowd-pleasers like "(The Angels Wanna Wear My) Red Shoes"
and the dub heavy "Watching the Detectives" sounded fresh
and inspired in the hands of the elder statesmen of new wave.
Returning for one of several extended
encores, Costello produced an acoustic guitar for excellent country
inflected version of "Indoor Fireworks." The highlight
of the show came during a detour from the country torch ballad "Deep
Dark Truthful Mirror" when Costello led the audience in a sing-along
version of Smokey Robinson's classic "You Really Got A Hold
on Me."
By placing his own canon of considerable
pop masterpieces next to the work of artists like Smokey Robinson,
Costello demonstrated how strong his own songwriting is. From albums
like This Year's Model and Imperial Bedroom to Sunday's show, Costello
has continued to build a repertoire of classics as strong as any
of the great songwriters of pop music. Elvis Costello proved to
the audience, who have often heard their own stories through his
songs, that though he may not be as renowned as his namesake, his
songs are just as powerful.
Thanks to John Foyle
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